I do. I sort of am . . . or, rather, I used to be. (Did a few for an existing company that has yet to make sales. One day, perhaps.)
I’m actually writing one for a San-Fran based acquaintance. Hence the post about scriptwriting, a deviation from the intended [continued] one about editing. And yet, scriptwriting is all about editing, because you must use a limited number of pages to communicate to [effectually] detail action, mood, and dialog.
If you’re thinking of writing a script/screenplay, but are intimidated, don’t be. There are some great programs out there to help. I use Final Draft and have dabbled with Celtx. Both are good and will enable you to conform to required criteria, including rules re physical format. You can develop a professional-looking script—without breaking into a sweat or tirade.
Assuming we all know what a script entails, the first question will likely be: where to start? Have a book, idea, story outline ready. Or, if you’re feeling confident, do it from scratch (something already summarized or sketched makes it a trifle easier, but to each his/her own).
You’re not narrating a tale, but showing it. A script involves visuals—you are documenting what the viewer is seeing and hearing.
You want your audience to emphasize with your main character, to be drawn into the plot, to feel as if they are part of the action. You also want conflict, which is integral to any story, on screen or off. There should be some sort of struggle, be it physical or mental/emotional.
This is where I’m currently at: creating a logical struggle the protagonist must undergo before evolving into a true hero. Writing a script is great fun. It’s challenging, sure, because you do need to write your tale within a set number of pages, but descriptions and details abound. The sky’s the limit. You just need to utilize your creative noodle. How fun is that?!