The former’s what you want to achieve and the latter’s what you want to crush—through editing. Clarity is our friend; we like simplicity and clearness. Verbosity is our foe; no one cares for longwindedness or wordiness (zzzzzzzzzzzzzzzzzzzzzzzzz).
The previous post touched upon word usage, so let’s stay on point (to a point).
Editing is a great way to develop as a writer; it sharpens talent. No matter what you’re writing books, yes, you’ll have to do a few edits. Or not. It’s entirely up to you. An aside: I know someone who refuses to do even one edit. Sadly, it shows. “X” wonders why he’s never been able to attract an agent or traditional publisher, given X totally believes he’s an awesome writer. (Kudos to confidence: reproach to arrogance.)
You’re a committed writer; as such, you’ll edit. So write, write, write. Put the finished product away for a while. A few days at the very least. Return to it with fresh eyes. Then edit, edit, edit.
The process truly isn’t as daunting as you may imagine. Sure, there might be some initial trepidation. You may even think (with tremulous breath) what if:
- my writing sucks
- I can’t do a proper edit
- I get overwhelmed, and/or
- find 100 things wrong?
You know what? You’ll do fine. Just take your time; rushing is never good unless your aim is to be a contest winner. If it’s a novel, do it in stages (not all at once). Cut out unnecessary narrative and superfluous words. Remove useless [“no value add”] information and passages.
But editing isn’t all about cutting, either. It’s about adding—providing supplementary descriptions and depictions, or enhancing plot and augmenting information. Think of yourself as an artist painting a picture (also known as masterpiece). Which brings us back to . . . yup, clarity.
Read your work like its creator, not a reader wanting to be entertained or enlightened. Focus that critical eye—analytically and decisively.
Remember: you’re merely improving what you’ve done, which is already pretty darn good!