As a writer of mysteries (The Triple Threat Investigation Agency series), it’s no secret that I’m also a lover of the genre. Which would go without saying, of course. But I just did. <ROTFL>
Nancy Drew, as often stated, was [still is] my heroine. I first read her when I was eight and was hooked, big-time. Solving mysteries with her and George and Bess was fun.
It’s still fun, although these days I keep company with more heavyweights. Having that challenge—just who is the killer?—sends a shiver of anticipation along the spine with every novel cracked open (I like the feel of a real book, sorry Kindle).
So, you’re considering writing one? That’s good, very good indeed. But you’re uncertain where to start. Well, acquainting yourself with the genre should come first, but I’m assuming you’ve got an idea of what the world of whodunits entails.
Let’s consider a few “musts”.
You must introduce your main character(s), the sleuth(s), as soon as possible. The villain should be presented fairly early on, as well; readers must have an opportunity to pull the baddie(s) into their musings (as they endeavor to solve the mystery).
Make the major crime evident within a reasonable period, such as the first three or four chapters, as you want to create—and prolong—tension and suspense/excitement. With mysteries, what’s that major crime? Yup, you got it: murder.
Give the murder careful thought and plausibility. Maybe there’s only one body, maybe a few. If there are numerous ones, have the “surge” sound logical. Sure, there could be a serial killer, a whacko, maybe even more than one killer. Who doesn’t enjoy the roller-coaster ride of a thrilling serial killer case? If you intend to write one, ensure that it’s compelling and believable, given the characters and circumstances.
Keep your story twisting and turning, but don’t drag it on forever. And don’t make the killer(s) obvious. You want readers to keep solving your challenging mystery, not yawning and heading off to do something more exciting, like garbage disposal or counter cleaning.
As I always say, do your due diligence. When you’re writing—creating—make sure to include facts. This could include details about the murder (perhaps from a forensic or law enforcement angle), description about the state of the body (if you’re writing a cozy, you may want to sugar-coat it and keep intense details/facts to a minimum), states of mind, and so forth. Present a sense of realism.
Consider writing a mystery like a paint-by-number kit. You’re completing it in a painstaking manner: every little piece should uniformly connect (“bind”).
Now that you have some food for thought, I’ll let you digest.
We’ll look at how to develop your detective next post. In the meanwhile, slap on that sleuthing cap and pursue that ever-winding writing/solving trail.